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Publishing of Book:The Art and Craft of Creative Writing

Art-and-Craft-of-Creative-Writing_cover Thanks for visiting my blog for  the past four years. During that time, I’ve read and learned about the writing life, poetry, short fiction, and creative nonfiction. I have read many books, learned a great deal, and written a couple hundred craft essays. In January of this year, I decided to write a book based on what I have learned. And so from April until a couple of weeks ago, I wrote a how-to creative writing eBook. It is called “The Art and Craft of Creative Writing.” It is based on what I have learned. To purchase the book, visit http://www.amazon.com/dp/B00F4VOYRK

The book is more than 400 pages long and includes the following chapters chapters:

 Table of Content

  • About the Author 3
  • Introduction. 4
  • THE WRITING LIFE. 7
  • The Art and Craft of Writing. 8
  • The Writing Life: Journal Writing. 16
  • The Writing Life: Reading Like a Writer 19
  • The Writing Life: Learning to Write Creatively. 24
  • The Writing Life: Finding Inspiration to Write. 29
  • Ten Myths about Writing. 33
  • Writer’s Block. 36
  • The Writing Life: Developing Your Writing Voice. 39
  • Blogging as a Form of Creative Writing. 44
  • The Writing Process. 49
  • Writing the Opening. 54
  • Writing the Ending. 57
  • Revising Your Work. 60
  • WRITING FREE VERSE POETRY.. 65
  • Poetry: An Overview.. 66
  • Free Verse Poetry: An Overview.. 74
  • The Title of a Poem.. 80
  • Finding Inspiration and a Subject for Your Poem.. 83
  • Writing Free Verse: Stanza, Line, Syntax. 87
  • Writing Free Verse: Word Choice. 93
  • Writing Free Verse: Adding Sensory Details. 96
  • Writing Free Verse: Using Figurative Language. 100
  • Writing Free Verse: Adding Sound Effects. 104
  • Writing Free Verse: Meter and Rhythm.. 108
  • Writing the Prose Poem.. 113
  • Learning to Write Free Verse Poetry. 116
  • WRITING SHORT FICTION.. 123
  • Writing Short Fiction: An Overview.. 124
  • Writing Short Fiction: Creating the Setting. 130
  • Writing Short Fiction: The Plot 134
  • Writing Short Fiction: Character and Characterization. 139
  • Writing Short Fiction: Dialogue. 144
  • Writing Short Fiction: Point of View.. 148
  • Writing Short Fiction: The Theme. 152
  • Writing Short Fiction: Literary Techniques and Poetic Devices. 155
  • Writing Short Fiction: Voice and Writing Style. 161
  • Writing Short Fiction: Beginning and Ending. 166
  • How to Write a Short Story. 170
  • WRITING CREATIVE NONFICTION.. 176
  • Writing Creative Nonfiction: An Overview.. 177
  • The Ethics of Creative Nonfiction. 184
  • Writing Creative Nonfiction: Using Humour in Your Writing. 189
  • Writing Creative Nonfiction: The Personal Narrative Essay. 194
  • Writing Creative Nonfiction: The Opinion Essay. 202
  • Writing Creative Nonfiction: The Meditative Essay. 209
  • Writing Creative Nonfiction: The Lyrical Essay. 215
  • Writing Creative Nonfiction: The Segmented Essay. 219
  • Writing Creative Nonfiction: The Literary Journalism Essay. 224
  • The Literary Journalism Essay: On Popular Culture. 229
  • Writing Creative Nonfiction: Narrative History. 237
  • The Literary Journalism Essay: The Global Village. 243
  • Writing Creative Nonfiction: The Profile/Biography Sketch. 248

For anyone who desires to embrace the writing life, write free verse poetry, write short fiction, write creative nonfiction, such as the personal essays, and more, this book is for you. It is filled with advice, tips, suggestions, how-to explanations, and more. You can buy it at Amazon for $7.00. To purchase the book, visit:  http://www.amazon.com/dp/B00F4VOYRK I will not be making any more posts to this blog. It is time for another project. Good luck in your writing endeavors. Dave Hood,B.A.

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The Writer’s Craft: How to Write an Ending

November 26, 2012

by Dave Hood

How do you end a poem, short story, novel, personal essay—or any other type of creative writing? Writing a good ending is as important as writing a compelling opening…You should give as much thought to your ending as your opening.” This is the advice William Zinsser shares in “On Writing Well.

There are many ways to end a piece of creative writing, such as with a relevant quotation, with a recommendation, with a call to action, by referring back to the beginning. Often the genre you are writing and the idea you are writing about will dictate how to end.

The ending should provide a sense of closure to your writing. To write an ending, you should know when to end and how to end a piece of writing. Different genres, such as a short story, personal essay, or poetry,  have different suggestions for writing an ending.

In this article, I’ll explain what an ending must accomplish and provide some general suggestions on how to end a narrative or poem.

What Must Your Ending Accomplish

In the “Handbook of Magazine Article Writing,” it is suggested that the ending of an article should do one of the following:

  • Leave  readers with the idea that they have learned something.
  • Leave readers with the idea that they have gained some insight.
  • Show  reader how the information in the article impacts or relates to their lives
  • Encourage readers to conduct research or additional investigation.

In “On Writing Well,” William Zinsser makes a few suggestions about ending a piece of creative nonfiction:

  • “When you are ready to stop, stop. In other words, don’t write too much.”
  • “The positive reason for ending well is that a good last sentence–or last paragraph, is a joy in itself. It gives the reader a lift, and it lingers when the article is over.”
  •  “What usually works best is a quotation.”

Zinsser also tells readers not to end by summarizing. For instance: “In summary…or “To conclude…”

Why? A summary is repeating yourself by compressing details that were already shared with the reader. Instead, you ought to make one final point that resonates in the mind of the reader.

When you end, you must have answered all questions posed in the story or article or personal essay. Otherwise, the reader is left wondering, and feels your writing is incomplete. As well, the essay or narrative should be brought to a close. In other words, the reader knows that the narrative is complete. For instance, if you are writing about a journey, the end might be when the character reaches his/her destination. If you are writing a meditative essay, you might leave the reader with some final point to ponder. If you are writing an opinion essay, you might end with a final point. Writer Elizabeth Anderson, in her essay “IF God is Dead, Is Everything Permitted?” (The Portable Atheist, selected and introduced by the late Christopher Hitchens), ends her essay with the following judgement: “The moralist argument, far from threatening atheism, is a critical wedge that should open morally sensitive theists to the evidence against the existence of God.”

A great ending, in my view, leaves the reader with something to ponder or meditate about after he puts down the piece of writing. Sometimes the writer shares an epiphany or a lesson learned or words of wisdom.

There are no rules on how to end a piece of creative writing, only suggestions. It is up to the writer to decide how to begin and how best to end a piece of writing. Your end should make some important final point. A good final point is like a knockout punch.

How to Write An Ending

There are several ways to end. It all depends on the genre.  A personal-narrative essay usually ends when the story ends, often with some epiphany. In a poem, the last line often makes some emphatic final point, some idea the writer can take away and ponder. In a short story or novel, the ending can be closed or open. In a closed ending, the story ends, and nothing else happens. In an open ending, the reader is left to imagine what might happen in the future. Trilogies end with an open ending. A popular technique for ending a story is to use a “cliff hanger.” Sometimes the writer ends a short story or novel ends with dialogue from the protagonist. Some writer’s end articles or personal essays or meditative essays by referring back to the beginning.  Other writers begin with a question, explore the question, then you can end with one final answer.  Many writer’s end with a final quotation.

Check out most literary journalism essays in the New Yorker, and you’ll discover that most writers end their writing with a final quotation from someone they’ve interviewed. In the essay, “Slackers” (July 30th, 2012),  writer, Malcolm Gladwell, ends with the following quote: “None of the doctors who treated me, and none of the experts I’ve consulted since the day I collapsed, have ever heard of anybody being gone for than long and coming back to full health,” he writes.” He was back on the track nine days later.” Clearly, there are many methods you can use to end a piece of creative writing. The decision is yours to make. It is a creative choice of the writer.

David Remnick, author of “We Are Alive”, ends with the following quote: Springsteen glanced at the step and stepped into the spotlight. “Hola, Barcelona!” he cried out to a sea of forty-five thousand people. “Hola, Catalunya!”

 You often read true and fictional stories about a calamity or disaster. The writer opens the story by describing a setting of normalcy. And then, the bomb is dropped, or the hurricane destroys the quiet life of the living, or the earthquake obliterates a town. The writer describes the cause and effects, and the struggles to survive and cleanup. In this sort of narrative, writers often end by “returning to the state of normalcy.”

 Some writers end with a telling anecdote, or by pointing to what will happen next in the story, or tell readers where to find additional information. Other writers end with an epilogue, which tells what happens to the characters later and how their stories continue.

Other ways to end a piece of creative writing include:

  • With a judgement
  • With recommendation
  • With a prediction
  • With an insight
  • With a hope or wish

There are no rules for ending a piece of writing, only suggestions. And every form of writing–whether a personal essay, poem, short story, article—has its own suggestions for ending. The final decision about how to end a piece of writing is the writer’s. It is one of the creative decisions of writing. Often the writer relies on a “gut feeling” or “intuition” or “sixth sense.” The worst thing a writer can do is overwrite or write a double ending. The best way to end is to leave your reader satisfied while giving the reader a sense of closure. William Zinsser writes, “The perfect ending should take your readers slightly by surprise and seem exactly right.”

Resources

  • On Writing Well by William Zinsser
  • The Story Within: New Insights and Inspirations for Writers by Laura Oliver
  • The Elements of Story: Field Notes on Nonfiction by Francis Flaherty
  • Handbook of Magazine Article Writing, edited by Michelle Ruberg and Ben Yagoda
  • The New Yorker, “Slackers: Alberto Salazar and the Art of Exhaustion” by Malcolm Gladwell (July 30, 2012)

The Writer’s Life: Finding Inspiration to Write About

Perhaps, you’ve purchased a writing journal and some pens, and have decided to embrace the art and craft of creative writing. Or, you’ve decided to write a poem, short story, personal essay, but you don’t know what to write about. Perhaps, you want to write your life story, but don’t know what to write. There are countless ideas that you can dig up, dust off, and write about. You just have to know where to search.

And once you have an idea to write about, you require a few techniques on how to explore and expand the idea into a poem, short story, personal essay.

You’ll also require a few essential creative-writing techniques to transform the idea into a piece of imaginative or creative writing, something original and authentic,  that others will be motivated to read and praise you for. If you are fortunate, you might even be able to publish your work.

In this article, I’ll explain how to find inspiring ideas to write about and how to write about them. The following will be covered:

  • Techniques for finding inspiration
  • Asking journalistic questions
  • Using creative-thinking techniques
  • Writing imaginatively or creatively

How to Dig Up Ideas to Write About

As a creative writing, there are countless ideas you can write about. No idea or topic is off limits. You can transform any idea into a poem, short story, personal essay, literary journalistic essay. However,  before you can write the draft, you must first find some worthy idea that inspires you to write about. Here are 12 ways to find ideas to write about:

Dreams. A dream can be a source of inspiration. You must be able to recall the content of the dream. So, keep a notebook on your beside table. If you wake up, remembering a dream, write down as much as you recall. I have never written about a dream.

Memories.  Many writers write about their memories of abuse, childhood, adversity, and so forth. In “Tell It Slant,” Brenda Miller write about the five senses of memory. What are the memories associated with sight, smell, taste, touch, hearing.  When you recall a memory, ask yourself: Why do I remember it? What is the significance? Another way to look at memory is to ask yourself: What are my saddest and happiest childhood memories? There are many ways to explore memory. I have often written about memories of my childhood, illness, unemployment, people that have crossed my path, and more.

Imagination. Imaginative writing involves inventing a poem, short story, novel by using the imagination to invent.  An easy way to invent is to ask the question,” What if?”  What if you were robbed walking home? What if you were diagnosed with a serious disease? What if your son or daughter died?

Observations. Observing the world around you is an is a useful way to write about setting, people, places, objects, things. Make note of significant details, telling details. Make not of what you see, hear, feel. Make not of the sensory images—sights, sounds, taste, smell, touch, hearing. Afterwards, write about your observations.

Overheard Conversations, Snippets of dialogue, Inspiring quotations From Famous People. Some instructors suggest you can write about an overheard conversation. I guess this is possible. I have never used it as inspiration for writing. I prefer to use dialogue in relation to its context. For instance, I`ll write about what I heard at the bar, or in the mall, or at the funeral. The dialogue will only be important  because of where I heard it. Another important aspect of dialogue is who said it. Was it someone unknown or someone famous or in the public eye? Often inspirational quotes by philosophers, writers, musicians, political leaders can be a great source of inspiration.

Reading.  We write for pleasure, to be transported to another place, to escape the banality of daily life. As well, a writer reads to learn the art and craft of writing. You can find inspiration by reading  published creative writing  by recognized journalists,  poets, fiction writers, essayists. By reading, you learn what others have written about and are writing about.  This knowledge can provide you with your own ideas to write about. Read stories in newspapers, magazines, journals, periodicals, and then make note of any interesting ideas, concepts, inventions, stories you uncover.

Your dark side. Each of us has a hidden self and public persona. Some call it your shadow or “dark side.”  The shadow remains asleep until we are stressed, or wronged, or humiliated, or embarrassed, or dishonoured,  or face a life and death situation, or are threatened by an event or another person. The shadow is often something we don’t like about ourselves. Perhaps we get angry, or procrastinate, or abuse alcohol, or are racist, or prejudice, or intolerant, or like kinky sex. Perhaps we have cheated on a loving partner, or broken the law, or done something that is taboo. How do you write about these topics? You ignore the “inner voice” that tells you not to write about the topic, and then you write the words that you hear in your mind. You must give yourself permission to write about anything.

First experiences.  Write about your first job, first kiss, first sex, first love, first car, first home, first experience with death or grief, and so forth.  Write about anything that is a first.

Celebrations. Write about holidays, vacations, milestones, birthdays, anniversaries, happy occasions, anything that makes you happy.

Adversity. Write about setbacks, obstacles, challenges, such as illness, disease, obesity, handicap, unemployment, discrimination, abuse, failure. Write about any hurdle or obstacle you have faced and had to overcome.

Artist’s Date. Julia Cameron, in” The Artist’s Way,” suggests that you should schedule some artistic or creative date with yourself once or twice a month. Perhaps, you’ll visit the bookstore, see a movie, attend poetry reading, visit the art gallery, take a trip to see a theatre production. The purpose of the “artist’s date” is to refill your mind with inspiration to write about.

Ideas from your personal journal. Keep a personal journal.  Include stories from newspapers, interesting quotations, inspiring lyrics, poetry, photos. Write in it each day. Write about what you’ve read, heard, observed. Write about fleeting moments that were important. Write about events, experiences, people that have passed through your life, touching you in some way. Write about small moments. We you require an idea, turn to your writing journal.

There are many other techniques you can use to write about, such as death, grief, anxiety, depression, addiction, mental illness. Writer Lois Daniel, the author of “How to Write Your own Life Story,” has written a book of ideas on how to write your life story.  She explains how to write about inventions, courtship, turning points, animals, family traditions, achievements, accomplishments, and more.

Asking the Right Questions

After you have an idea to write about, you can explore the idea by asking questions. Journalists often ask these questions. These are:

  • Who?
  • What?
  • When?
  • Where ?
  • Why?
  • How?

The question “who?” refers to the person or group of people who  the story is about. The question “what?” refers to what happened. The question how refers to “how it happened?” The question “when” refers to when it happened. And the question “why?” refers to why it happened.

You can use these journalistic questions to explore an idea or topic. Furthermore, by answering these questions, you can grow the seed of idea into something larger, like a story about the maple tree.  You can also use these questions to organize your work. For instance, you could write a beginning, then have one section for each of who, what, when, where, why, how, and then an ending. Often by answering these questions, you have sufficient material to write a story

Using Creative Thinking Techniques

Once you have an idea to write about, you can explore the idea by using creative thinking techniques. There are many. I’ll identify some of the popular techniques. Most people use brainstorming–but not enough. Often when there’s a setback or problem or obstacle, many people react with emotion–without personal reflection, without first brainstorming ways to react or respond.  How do you brainstorm? Simply by making a list of all possibilities. For instance, suppose you wanted to change jobs, but need to write a new resume. You desire to identify all of your skills. You’d brainstorm by creating a list of all of your skills, both minor and major skills you have. Then you’d select the ones that are most advantageous or beneficial. Once you have a few ideas, write about them.

Another technique is to ask why? Then why not? This is a good way to develop answers to a question or problem. It  can be used to develop both positive and negative answers to an outcome. For instance, why did your marriage end? Why did you not graduate from university? Why did you graduate?  Why did you criticize your friend? Why did you not criticize your friend? Once you have ideas, write about them.

You can change your perspective. See the experience, or event, or person from another point of view. Most of the time, we see the world from our own eyes. For instance, we walk down the street, pass a panhandler who asks for money.  We think “He is lazy.” And so, we refuse to provide charity. What if this man was homeless and hungry and down on his luck? To feel some compassion, we’d have to see the world from his point of view. How? You’d have to walk in the shoes of the homeless guy, by imaging you were homeless, without food, and out of work. What is it like to be a beggar on the street? What is it like to be homeless? What is it like to be poverty stricken, to go hungry? Write from a different perspective.

Or, you can challenge assumptions. For instance, most people believe in God. What if God is just an illusion, a human construct?  Write about your assumptions–and alternative possibilities.

Some writers begin freewriting. Start by posing  a question to yourself, and then answering it. Write down whatever pops into your mind. Afterwards, read what you wrote. Did you find anything interesting? Inspirational? And idea to expand into a poem, essay, some project to accomplish.

Do some mind-mapping or clustering. It is like brainstorming but more controlled. It is a good way to explore possibilities or generate ideas.  How to cluster? Begin with a white piece of paper and coloured pens or pencils. In the center of the paper, draw a circle. Inside the circle, write a word or phrase that represents the idea your desire to explore. For instance, suppose you wanted to take photographs, but didn’t know what to capture. You could use the word “photograph.” Then, think of those possibilities or things associated with the idea.

When you something comes to mind, draw a line from the circle, then create another smaller circle, and jot down the idea. If you had a new idea, you’d create another line and circle from the main idea. For instance, you could have lines and circles for travel, sports, landscape, fashion, close-up, portrait. If you had a related idea to your first answer, you draw a line from the second circle, and write down another idea. For instance, suppose you wanted to capture still life, you could write a line and circle for each of beer and glass, journal, books, food to the circle with “close-ups.”

An easy way to think creatively is to ask “what if.” It is a great technique for fueling the imagination. For instance, what if a meteor crashed into the earth? What if you died? What if you won the lottery? What if you were fired from your job? What if you become rich and famous?

Another way to be more creative is to look for ambiguity in the world. Yet, most people don’t like ambiguous situations.  They cause communication problems and are confusing. And so, most people have learned to “avoid ambiguity.” However, there are times when ambiguity can light the flame of imagination. Next time, you are immersed in a confusing situation, instead of just reacting, ask yourself: What is going on here? What else could this mean? How else can this be interpreted? For instance, suppose your friend splits up with her husband–and you’d don’t know why.  You’re immediate reaction might be to blame the husband who always flirts. This is when you could ask “What else is going on here?” Perhaps the wife has found a new lover.  Perhaps she believes that she can meet someone who is more interesting or romantic. When you discover something ambiguous, explore it and write about it.

We are socialized to think in terms of “right” and “wrong” answers.  This can limit possibilities or options. Clearly, there are times when right and wrong answers are your only option, such as following the speed limit or answering a multiple-choice exam. However, during the creative process, “to error is not wrong.” Instead, if you make a mistake or error, use it as a stepping stone to another idea you might not have discovered. For instance, suppose you take a photograph, and the light turns out to be incorrect, you could shift the angle of light, or add additional lights, or take the photograph in a different place. What’s the point here?

The mistake or error is an opportunity for you to  attempt something else, to think of something else. Another approach to errors or mistakes: Suppose you want to do something new. First, you consider all the positive outcomes, the rewards, the benefits. But this is limiting. You should also consider how you’d respond if something bad happened, if a setback occurred, if there was some obstacle. By thinking in this way–you expand the ideas, the possibilities, the solutions. Write about the outcome of an err or mistake, and the alternative path or journey you took.

Writing Imaginatively or Creatively

What does it involve? You will use the techniques of creative writing to write a poem, personal essay, short story. You might also use them in other types of writing, such as journal writing, letter writing, commentaries, emails.

The purpose of writing creatively is to create word pictures in the mind of the reader–by showing the reader a person, place, event, experience.

Once you have selected an idea, you should use the essential techniques of creative writing to craft your piece of writing. You can use these techniques to write in your journal, a poem, a short story, a novel, a personal essay—or any other writing.

Here are a few important techniques of creative writing that you can use for any writing:

Show your reader the person, the event, the experience, the place, the thing. You can show you reader with vivid descriptions, with concrete and significant details, and with imagery–language that evokes the senses.

Scenes and Summary. When you use a scene, “you are showing the reader what happened. Write in scenes for all important events. A scene include setting details, action (something happens), dialogue (conversation between characters in the story),  imagery, concrete and significant details.

When you write in summary, you are telling the reader what happened. Use summary to write about unimportant events or  to compress time.

Use concrete, particular, and significant details.  Whether you write prose or poetry, you must add meaningful details. Otherwise, your writing will be ordinary, non-descriptive.  Concrete details are not abstract. They refer to specific things. Particular details refer to some attribute or attributes of the thing.  Significant  details means that you want to share only those “important details,” the details which enable the reader to imagine what you are seeing and describing.  Writing concrete and significant details allows you to evoke emotion, stir the spirit, touch the soul of the reader. When you add detail, you are showing the reader what happened, what the person looks like,  what you are seeing, feeling, tasting, and so forth. When you recall a memory or observe  an object, person, place or thing, you don’t need to share all details with the reader, only those that enable the reader to visualize the person, thing, place, you are writing about.

Imagery. This is about writing in words that invoke the sense in the reader. You can write about what you see, hear, smell, taste, touch. Example: Coming to the ledge, I could see an old pair of shoes.  I knocked on the door, faded from neglect. An old woman, with disheveled, grey hair and no teeth, opened it. When she talked, I could smell the stench of decaying teeth.

Figurative language. These include personification, symbolism, allusion, and so forth. Two of the most important are simile and metaphor.  A simile compares one thing to another by using “like” or “as.” Example: Her home is like a garbage dump.  A metaphor  suggests that one thing is another. Example: Her home is a garbage dump.

Personal Reflection or Self-Reflection

It involves the discovery of self and acquiring self-knowledge. You find out how you felt about something. What do you value. What is important in your life? What is the meaning? What is the purpose? What makes you happy? Why is the memory important to you? Why do you want to write about it? How does something feel to you? How did you reacted? With fear? Anger? Did you like it? Why? Did you dislike it? Why?

Personal reflection involves self-discovery, self-knowledge, and then sharing your thoughts, feelings, opinions, views, perspective. You can ponder an idea, event, experience, topic, issue, and then write about it. What does it mean to you?

Personal reflection is about exploring the emotional truth. In other words, how does it feel to you.

For more information on finding ideas to write about and how to write about them from a creative writing perspective, read the following:

  • Imaginative Writing: The Elements of Craft by Janet Burroway
  • You Can’t Make this Stuff Up: The Complete Guide To Writing Creative Nonfiction from Memoir to Literary Journalism and Everything In Between by Lee Gutkind
  • How to Write Your Own Life Story by Louis Daniel
  • Tell It Slant: Creating, Refining, and Publishing Creative Nonfiction  by Brenda Miller and Suzanne Paola.