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What is writer’s block? It is a psychological state in which the writer is unable to begin, or continue, or end a piece of writing. Sometimes a writer is blocked for a short period of time, such as a few days. Other times, the writer is unable to write for weeks, months, years. The writer who is blocked might feel there that there is a lack of inspiration. Or the writer might feel unable to develop an idea into a poem, or essay, or story. Or the writer might feel that their work is not good enough for publication. Whatever the reason for the mental block—the writer is unable to write.
Many writer don’t believe in writer’s block. In “The Poet’s Companion,” a splendid book on how to write poetry, author Kim Addonizio, who is a well-known poet and writer and instructor of creative writing, suggests: “We don’t believe in writer’s block. We believe there are times when you are empty and times when you are full” of ideas to write about.
However, many writers, including myself, believe that sometimes writer’s are blocked. Grief, depression, addiction, anxiety, illness, fear of failure, self-doubt, burnout, and the internal critic who demands perfection or undermines your confidence can empty the well of creativity, leaving you with a lack of inspiration and a blank page.
Some writer’s also believe in the “muse”–some sort of higher power that provides them inspiration to write. This is just myth, just like Greek mythology. The ancient Greeks believed in the various Goddesses of the muse, who provided a select few creative geniuses with inspiration. In my view, it is the writer who must find inspiration and continually write, even when he/she doesn’t feel like writing. The writer creates his/her own muse.
By nurturing creativity, you can bring an end to writer’s block or prevent it. For a writer, creativity is about uncovering ideas to write about and then applying techniques of fiction to craft a complete story, or using various poetic devices to compose a poem. Sometimes a writer might have a good idea, but he/she doesn’t know how to begin, to develop , or to end the piece of creative writing. Or the writer is stuck in the middle of a piece of writing. Or the writer might not have any ideas. And so the well of creativity is empty.
How do you nurture creativity and prevent writer’s block? Here are a few suggestions:
- Maintain a work-life balance. There must be time for work, time to socialize, time for fitness, time for solitude, and time for play. Often people who are burned-out have spent far too many hours writing—and forgotten to attend to other aspects of their life.
- Keep a writing journal or writing note book by writing in it each day. What can you include? Anything related to the art and craft of writing. You can freewrite, make a note about something eventful, write down the word and meaning of a new word. You can experiment with the techniques of fiction or poetry, such as simile or metaphor. You can write about an overheard conversation, something on the news, a memory, your anxieties, a movie, song, poem, someone you loath, what happened in your day, a fleeting moment, something you’ve learned. You can add photographs, news clippings, recipes, quotations, anything that is inspirational to your writing journal. Not only will the journal keep you in the habit of writing, it can also supply you with ideas to write about.
- Go on an artistic date every week or so. Author Julia Cameron, who wrote “The Artist’s Way,” suggests that you can find ideas to write about if you go on an artistic adventure by yourself each week or so. You might visit a bookstore, buy tickets to see a music concert, attend an art gallery, visit a craft show–do something new.
- Read widely and deeply for pleasure. Not only should you read books on the craft of writing, but you should also read the best poetry, fiction, creative nonfiction available. Marvelous contemporary poets include Mary Oliver, Charles Simic, and Billy Collins. For a list of the 100 Best Novels of the 20th century, see www.modernlibrary.com/top-100/100-best-novels . Or select and read a novel from Time’s 100 All-time novels. You can find countless other poems and poetry at The Poetry Foundation. You should also stay informed–by reading magazines and newspapers. All aspiring writer’s should read literary journals and The New Yorker magazine. Reading can be a pleasurable escape, an easy way to discover new ideas, a simply way to learn, and one of the best ways to expand your vocabulary, providing you look up the meaning of a words you don’t understand in a dictionary.
- Make fitness part of your daily routine. Take vigorous walk or engage in some other aerobic exercise each day. Do yoga. Pump some weights. Join and attend a fitness club. Take a bike ride. Physical exercise, especially aerobic, will build self-confidence, clear your mind, and release tension from your body. It is one of the best ways to combat stress and refresh a tired mind.
- Find an hour each day for solitude or personal time–away from the solitude of writing. This quiet time can be used for personal reflection, to meditate, to take a walk in the woods, to rest, and so forth. The purpose of solitude is to provide you with a break from the stresses of life.
- If you are unable to write because of burn-out, you must take a break. When you’re burned-out, you won’t be able to give your best effort. The break will reenergize you. You might take a trip, go on a vacation, or just stop writing and use the time to in leisure activities you enjoy. How long? It all depends. Once you’re feeling refreshed, you can begin writing again.
- If you don’t have anything to write about, do some freewriting. There are two types: Focused and unfocused. Unfocused freewriting is about sitting down with a pen and notebook, and then writing about anything that pops into your mind. Focused freewriting involves sitting down and writing about a particular topic. For instance, you might freewrite about why you cannot write. And when you are freewriting, answer the journalistic questions of who, what, when, where, why, and how.
- Find an outlet or enjoyable leisure activity. Play baseball, tennis, squash. Do some cooking. Socialize with a friend. Take up photography, learn how to play the piano, or some other musical instrument. What every you do, be sure that you are doing something enjoyable that is not about writing.
- Sometimes you must continue to write even when you don’t feel inspired to write, unless you are suffering from burnout. Why should you continue to write? The act of writing will provide you with inspiration and content. This material can always be revised or discarded. Writing each day will also keep you disciplined, and allow you to capture ideas or expand on them.
For more information on preventing writer’s block or finding ideas to write about, read:
- The Writer’s Idea Book: How to Develop Great Ideas for Fiction, Nonfiction, Poetry, and Screenplays b y Jack Heffron
- A Writer’s Book of Days: A Spirited Companion & Lively Muse for the Writing Life by Judy Reeves
- Where Do You Get Your Ideas: The Writer’s Guide To Transforming Notions into Narratives by Fred White.
- The Right to Write by Julia Cameron
- Writing Down the Bones by Natalie Goldberg
- Bird by Bird by Anne Lamott
- The Artist’s Way By Julia Cameron
Have you always desired to become a writer? A writer is a person who writes either as a commercial writer, which is a writer for hire. Or the writer is a literary writer– inspired to share something important with society, or add something to literature or culture. The literary writer is not a writer for higher, nor does this type of writer earn a salary. The literary writer is often a starving artist until he/she becomes recognized by the establishment. The literary writer frequently toils at a job to pay the bills, so that he/she can write in the evening or on weekends. Writing is a labour of love.
To call yourself a writer, you must write on a regular basis. Ideally, you must write each day. Writing must become a habit, a daily ritual, work you do to achieve some purpose–such as publishing a book of poems, short fiction, memoir, or personal essay. Despite good intentions, many aspiring writers never embrace the writing life. Just ask a few MFA graduates if they are writing. You’ll be shocked to learn that less than 50% are still writing anything five years after they’ve graduated. Why is this so?
Self-doubt, procrastination , “the internal critic” usually prevent the aspiring writer from writing anything meaningful. These obstacles are usually rooted in false belief or myth. These myths prevent the writer from remaining dedicated to the writing life. Writer Valerie O. Patterson has identified several of these myths in her article “10 Myths about the Writing Life,” published in the November/December 2012 of The Writer Magazine. I have expanded on her seven reasons with explanation and three additional reasons why people fail to write and fail to embrace the writing life. Here are ten myths of writing and the writing life:
- A writing room is required to write. This is just not true. While it would be nice to have a writing room, many people just starting out don’t have the space to write. Perhaps, you live in a small one bedroom apartment, or share a house with many other people. All you really require to write is a private space, such as a coffee shop, park bench, bedroom, your car, any space free of noise and distraction. Any quiet place where there is inspiration is acceptable.
- You require the tool of computer to begin writing. This is also not true. Hemingway, Wolfe, Carver, Faulkner, T.S. Eliot—and many, many other writers never had the luxury of crafting their fiction, personal essays, or poetry with a computer. To write, all you require is a pen and pad of notepaper. As well, you should own a thesaurus and dictionary.
- Writing requires inspiration. Many aspiring writers believe they have nothing to write about, and so they wait for inspiration to motivate them to write something memorable. To become a writer, you must get into the habit of writing each day. If you wait for inspiration, you might never write. And so, you must seek out inspiration—tapping into memories; reading a wide range of books and magazines; embracing popular culture; taking an artistic date; doing some freewriting; keeping a journal.
- The lack of time prevents you from embracing the habit of writing. This is just an excuse. Each day, you must find time, or make time. That means you must make writing a high priority. It should be at the top of daily to-do list. Either you schedule time, or you find a few minutes each day to write. For instance, you might write for 15 minutes while drinking your morning cup of coffee, or for 15 minutes while you are computing on the subway, or for 15 minutes before you drift off to sleep in the evening. Suppose you write for 15 minutes each day. This works out to 2 hours and 15 minutes each week. This collection of time provides you with more opportunity to write than if you don’t write at all.
- Your first draft must be your best draft. Writing is a process. First, you discover an idea. Then you write down the points you wish to make. Then you write an opening, write the content, and end with an important point. Many aspiring writers believe that this first attempt is all that is required. Read any profiles or biographies of published authors of poetry, fiction, or personal essays—you’ll quickly discover that Most writers revise their work many times over before they create a memorable piece of writing, something that is worthy of publication.
- A Master’s in Fine Arts with a specialty in Creative Writing (MFA) is required to become a writer. Read the biographies of many great writers, and you’ll learn that many of them never graduated with a MFA. In fact, most writers are self-taught. They’ve learned the art and craft of writing on their own. And then acquired additional knowledge, skill, expertise by enrolling in a few courses, workshops, writing retreats, or by joining a writing group.
- You must be a published author to call yourself a writer. This is just not true. Many aspiring writers who craft memorable work have not been published–but this doesn’t mean they never will publish. The act of writing makes you a writer. The habit of writing each day means that you are a writer. And with the birth of digital publishing, you always have the opportunity to self-publish. Many great writers have self-published their work , including Walt Whitman.
Other Myths of Writing
Other myths that prevent people from writing include:
- Great writers are born, not made. In other words, the ability to learn the art and craft of writing poetry, fiction, personal essay is genetically determined–and cannot be learned. You can learn the craft of writing by learning the rules of grammar, spelling, punctuation; by expanding your vocabulary; by learning the variety of sentence structures; by learning the different types of paragraphs; by learning how to write into a structure. You can learn the art of creative writing by learning some creative thinking skills, such as brainstorming, asking what if, and shifting your perspective. Two important cognitive tools to help you: Learn how to tap into your memories and develop your imagination. You can also learn how to write creatively by learning the technique of showing and telling a story; by learning how to write similes and metaphors; by learning how to write concrete, vivid, significant descriptions; by learning how to write sensory imagery, using language that appeals to the reader’s sense of sight, smell, hearing, taste, and touch. You can also learn the craft of writing by teaching yourself or by enrolling in writing courses. A few good books to help you learn the craft of writing: The Elements of Style by Strunk and White, On Writing Well by William Zinsser, Sin and Syntax by Constance Hale, The Writer’s Portable Mentor by Priscilla Long, Woe is I by Patricia O’Connor.
- You cannot write because of writer’s block. Many established writers and instructors of writing claim that writer’s block is just procrastination, self doubt, or burn out. If you are procrastinating, create a schedule and make writing a high-priority. If you have self-doubt, learn to ignore it, and write. Or, if you don’t feel confident enough to write, learn the craft and practise your writing. If you are burned-out, take a break for a few days, a few weeks, or a few months. Then get back to the habit of writing. Other ways to prevent writer’s block include yoga, walking, jogging. These activities, if done regularly, will clear your mind and help you relax. Another good way to clear your mind is to mediate. A few other great ways to prevent writer’s block are to take the artistic date. Read for pleasure and to relax. Stay informed by watching the news on television, by listening to it on the radio, by reading the newspaper, or by reading the interesting content online. Embrace popular culture, photography, music, film, art, sports…
- There aren’t publishers who will publish your work. With the dawn of the Internet, you can create your own blog and self-publish your writing. You can also self-publish your collection of poetry, short fiction, or personal essays by using software tools offered by Amazon or Apple, which will allow you create and sell a digital e-book. These books can be read on a tablet or smartphone.
Books that Address the Myths or False Beliefs of Writing
In addition, many writers have addressed the myths of writing in their books on how to become a writer. Here are a few books you ought to purchase, read, learn from, and keep on your writing bookshelf:
- The Elements of Style by Strunk and White
- On Writing Well by William Zinsser
- The Writer’s Portable Mentor: A Guide to Art, Craft, and the Writing Life by Priscilla Long
- Sin And Syntax: How to Craft Wickedly Effective Prose by Constance Hale
- Oxford American Writer’s Thesaurus
- Merriam Webster’s Collegiate Dictionary
- Woe is I: The Grammarphobe’s Guide to Better English in Plain English by Patricia T. O’Connor
- The Deluxe Transitive Vampire: The Ultimate Handbook for the Innocent, the Eager, and the Doomed by Karen Elizabeth Gordon
- Escape into the Open: The Art of Writing True by Elizabeth Berg
- The Story Within: New Insights and Inspiration for Writers by Laura Oliver
- Imaginative Writing by Janet Burroway
- How to Become a Writer: Building Your Creative Skills Through Practise and Play by Barbara Baig
- The Right to Write by Julia Cameron
- Writing Down the Bones by Natalie Goldberg
- Bird by Bird by Anne Lamott
You can become a creative writer by learning the art and craft of creative writing. You must also embrace the writing life. To do this, you must make writing be a high priority, like someone training to run a marathon or practising to win a gold medal at the Olympics. You might also have to overcome false beliefs, which are usually rooted in myth. To become a writer, you must get into the habit of writing each day. And you must read poetry, fiction, creative nonfiction on a regular basis. This sort of writing material will inspire and illustrate the art and craft of creative writing. And then you must practise your writing and attempt to publish. At the very least, you must write in a journal each day–with the hope of publishing something meaningful at some point in the future. To help you learn the art and craft of writing, you might consider enrolling in a few writing courses or joining a writing group or attending a conference or taking a journey to a writing retreat. These tasks and habits won’t guarantee you’ll publish, but you can certainly call yourself a writer.
“When you write well, revision becomes not a chore, but the essence of the writing act itself.”(Tell It Slant by Brenda Miller)
Revision is part of the writing process. You revise your work after you have selected an idea to write about, completed necessary research, organized your information, decided on what to write about, and then written a first draft. The purpose of the first draft is not to write something complete–but to get your ideas on paper. Whether you write poetry, fiction, personal essays, you should revise your work.
Revision can transform an ordinary piece of poetry, short fiction, personal essay, or any form of writing into something memorable. Revision allows you to improve on an initial attempt. It gives you the opportunity to write the best possible poem, fiction, personal essay, and so forth.
Revision is often the most creative aspect of writing, providing you take a break after writing the first draft. The first draft is just a blueprint. Taking a break and then returning to revise your work gives your mind time to see and hear the writing from a fresh perspective. Brenda Miller, author of “Tell It Slant,” suggests that your first draft is just a “discovery draft.” You should write anything you desire. A first draft is never your best work.
The goal of revision is not to make your writing perfect, because you can always revise your work. (Many writers believe that writing is never finished.) The goal is to create something that is your best work. If you write sparse prose, you might have to add content. If you overwrite, you’ll have to delete the excess. Both the sparse writer and verbose writer will have to trim, alter, rearrange their content. They will also have to change language, phrases, sentence structure, paragraphs, and sections. The writer’s goal is always to improve on previous iteration.
When revising a piece of writing, don’t think of making it perfect, revise with the purpose of making it your best work.
In this article, I’ll discuss how to revise your creative writing. The following will be covered:
- Why you should revise your work
- Distancing yourself
- Reading your work aloud and making notes
- Revising your work by doing a macro-edit and micro-edit
The first draft is always a “shitty first draft.” This is what Anne Lamott tells us in the splendid book on the craft of writing called “Bird By Bird.” No writer gets it best the first time. Revision allows you the opportunity to improve. By revising your work after writing the initial draft, you can improve your writing, such as grammar, spelling, punctuation, mechanics, and usage. Revising your work also gives you the opportunity to improve the structure, plot, characterization, point of view, conflict, climax, resolution, theme and so forth of your story.
Some writers don’t include sufficient detail for a first draft; others include too much detail. Revising your work allows you to add, cut, rearrange, and expand the details of your poem, story, articles, essay.
Revising also enables you to see your writing from a fresh perspective–especially if you take a break from writing A break gives you a chance to add simile, metaphor, fresh language, new details, to tap into your imagination. Writer/instructor Jack Hodgins, author of A Passion for Narrative: A Guide for Writing Fiction, writes that: “The goal in revising is to achieve a more powerful whole.”
Distancing Yourself from Your Writing
What approach should you take to revising your work? Some writers write and edit as they go. But this approach blocks your imagination. It stifles creativity. It prevents the free flow of ideas from your mind to the page. Instead of writing what you are hearing in your mind, you are writing and then correcting.
Some writers reread as they go. But this approach slows down the flow of ideas from your mind to the page. It also interrupts the creative process and prevents the imagination from inventing.
Some writers craft their first draft with pen and a notebook, and then type the draft out on the computer. They write a first draft without revising or editing or rereading. It is a complete first draft. When they type out the draft on their computer, they reread and revise. I use this approach, and find it useful.
Author Susan Bell, in ” The Artful Edit,” suggests you distance yourself before revising. Here are a few recommendations she provides in her book:
- Don’t reread as you write. It slows down the writing process and creative thinking.
- Don’t revise as you write your first draft. It slows down the writing process and creative thinking.
- Write your complete first draft of a poem, chapter, section. And then take a break. The break of time allows you to approach your work from a new perspective. How long should you take? It all depends–at least one night. But many writers take a few days off, even a week, or longer, before starting the revision process.
- After the break, reread your work aloud to hear how it sounds.
- Once you have taken a break and reread your work, begin revising your work.
Many beginner writers believe that after writing their first draft they are finished. Furthermore, they believe the myth that the first draft must be perfect, and so they take forever to finish. Many writers become discouraged and abandon their writing. They find that the act of writing is like walking through the woods in the dark without a flashlight.
Writing is a process. It begins with an idea, followed by research or personal reflection. Next, the writer jots down a few points or makes a more formal plan of what he/she intends to write about. Then the writer crafts the initial draft. Once the draft is complete, the writer takes a break. The break allows the writer time to see his/her work from a fresh perspective. When the writer returns from the sojourn or hiatus, he/she begins revising the draft. The purpose of revision is to improve on the initial attempt, to make it better, to make it the best the writer can, to polish, to convert chaos to order, to make the piece of writing shine.
In “You Can’t Make this Stuff Up,” writer Lee Gutkind, states the following: “Writing is Revision. Almost every sentence, every paragraph, every page we write we will revise and rewrite a number of times.”
All great writers revise their work over and over before publishing. Raymond Carver rewrote his short stories many times before publishing. D. H. Lawrence rewrote the novel, Lady Chatterley’s Lover three times before it was published. Ernest Hemingway wrote the ending to Farewell to Arms 39 times.
All writers can learn how to revise their work. The first thing to remember is that the first draft is just an blue print. It is not your finished piece of work. By revising your work, you improve your first attempt. Often you’ll need to complete several revisions before you submit it for publishing.
How to Revise
Many writers revise as they write. They’ll write a sentence or paragraph or section, then reread it, then revise. But this is a slow and tedious process. And it prevents you from getting to the finishing line quickly. Moreover, it interrupts the free flow of ideas from the mind to the page. A better way to revise is to write the entire draft, take a break of a day or longer. Why take a break? It allows you to see your work from a fresh perspective or point of view. It’s like looking taking a photograph of a building from different perspectives. From each viewpoint, you’ll see something different. The goal of writing, like taking photographs, is to capture the best image. When you return to your writing, you’ll read it aloud and make notes of things you don’t like. Then you’ll conduct a macro-edit and micro-edit of the entire draft. Often you’ll need to revise your narrative several times before submitting it for publication. Your approach to writing and revising should be to get it down, and then work on getting your poem or story or essay or article right—making it the best you can.
Revision is about rereading your entire piece of writing, find errors, omissions, things that requirement improvement or deletion. Revision is about rewriting. You’ll approach the process of revising from a high level, which involves the entire document, poem, story, article. Editors call this a “macro-edit.” Once you have completed a macro edit of your piece of creative writing, then you’ll complete a line-by-line edit or copy edit. Editors and instructors call this a “micro-edit.”
What to Revise
After writing your complete draft, take a break for a day or more. The break from writing will enable you to see your work from a new perspective. Once you have taken the break, reread your work aloud, and make notes for improvement as you go. After reading your work aloud to yourself, you’ll complete a macro edit. All types of creative writing requires a macro edit, whether you write a short story, novel, personal essay, or literary journalistic article. Once you’ve finished the macro-edit, you’ll also complete a micro-edit, which is a line-by-line edit or copy edit. Not all of the items on this list will apply to every genre.
Macro-Editing. What does a macro-edit involve? For a macro-edit of a personal narrative essay or fictional story, you’ll do the following:
- Ensure that the beginning tells the reader what the story is about and why they should reader it. And also ensure that the beginning grabs the reader’s attention.
- Ensure that your story has a setting. It is shows the time and place of the story. It can be a backdrop, antagonist, or the mood of a story. Does your story, at the minimum, have take place at a particular time and place?
- Revise to enhance the central character. Does the central character have a motive? Character flaws? Have you develop the character with dialogue, behaviour, appearance?
- Revise to improve the structure. Is there a beginning, middle, and ending? Is there an inciting incident? Problem? Setbacks or obstacles? Climax or turning point? Resolution to the story?
- Revise for dialogue. Does the dialogue reveal character? Move the story forward? Sound like real people talking? Does each character speak differently? Is dialogue included in important events or scenes?
- Revise for style. Do you use a consistent voice? tone? diction? Sentence variety?
- Ensure that the story has a correct and consistent point of view. First person (I)?, Second person (you)? Third person (He/she)?
- Ensure that you have included concrete and specific and significant details and descriptions.
- Ensure that you have used imagery, language that appeals to the reader’s sense of sight, smell, hearing, taste, touch.
- Ensure that you have used figurative language, such as simile, metaphor, personification, symbolism.
- Ensure that you show the reader what happened with dialogue, action, setting, imagery when writing about important events, such as the inciting incident, crisis, climax, resolution.
- Ensue that the story has a theme. What is the implicit meaning of your work?
- Ensure that your story has an ending. And is the ending correct? Open? Closed?
If you are writing a piece of creative nonfiction, you’ll want to also ensure that you have written into a structure. For instance, if you are writing a theme-based personal essay, you’ll want to make sure that you have a variety of sections, which supports central idea.
If you are writing a collage essay, you’ll want to ensure that your “found objects,” such as a quotation, anecdote, vignette, poem, and so forth, support the central idea.
If you are writing a braided essay, you’ll want to be sure that your structure adequately reveals a comparison between two ideas or people or things. For more information, read “The Writer’s Portable Mentor: A Guide to Art, Craft, and the Writing Life” by Priscilla Long.
If you are writing a poem, your macro-edit will consider the following:
- Form–narrative, meditative, surreal, image, prose….
- Line break–for emphasis, enjambment, rhyme
- Diction or word choice
- Figurative or poetic language such as simile or metaphor or imagery
- Concrete and significant details
- Grammar and syntax and punctuation
- Right voice and style
- Sound, such as alliteration or assonance or rhyme
- Rhythm and meter
- Point of view-first, second, third person, invented persona
- Theme–meaning of the poem
Micro-editing. After completing a macro-edit, you’ll complete a micro-edit. Whether you write poetry, fiction, creative nonfiction, you must complete a micro-edit. It is a line-by-line edit of the following:
- Grammar. Ensure that you are using correct grammar, such as Correct usage, such as subject verb agreement
- Spelling. Ensure that you are using correct spelling.
- Punctuation. Ensure that you are using correct punctuation-period, comma, dash, exclamation point, question mark, quotations
- Scenes. Ensure that you have shown and told your readers. You must write in scenes for all important events. Do you show your readers what happened? For things that are less important, do you tell your readers?
- Diction/word choice. Ensure that you have chosen the best language. What is the connotation and denotation of each word?
- Sentence variety. Ensure that you have used sentence variety, such as long and short sentence, fragments and climactic sentences, simple, compound, and complex sentences.
- Melody. Ensure that your prose have melody. Have you used alliteration? Assonance? Rhyme? Repetition?
- Rhythm. Ensure that your prose have rhythm? It refers to the patterns of stressed and unstressed syllables. It also refers to the use of repetition? And it refers to the use of parallel structure of your prose?
- Lyricism. Ensure that you your prose are lyrical? Have you used imagery? Metaphor? Simile?
- Usage. Ensure that you have used the active voice, concrete nouns, action verbs. Ensure that you have used adjectives and adverbs sparingly.
A few Suggestions about Revision
If you intend to revise and to publish, you must have a good understanding of grammar, punctuation, spelling, usage, and writing style. If you are not sure about any of these topics, I strongly recommend you read and learn the suggestions, guidelines, and recommendations presented in the following:
- The Elements of Style by Strunk and White
- On Writing Well by William Zinsser
- Woe is I: The Grammarphobe’s Guide to Better English by Patricia T. O’Connor
- The Glamour of Grammar: A Guide to the Magical and Mystery of Practical English by Roy Peter Clark
- Sin And Syntax: How to Craft Wickedly Effective Prose by Constance Hale
Revision is part of writing. All great writers revise to improve their work. The best writers conduct a macro-edit and micro-edit (a line-by-line edit) of their work. Revising your work enables you to correct mistakes and oversights, to add, to delete, to alter, to move, to improve and polish a first attempt. Revising your work gives you the chance to create your best work, which improves your odds of publishing it.
Resources. For a more detailed explanation on revising a poem, short story, personal essay, and more, read the following:
- The Artful Edit: On the Practise of Editing Yourself by Susan Bell
- The Story Within: New Insights and Inspirations for Writers by Laura Oliver
- Tell It Slant: Creating, Refining, and Publishing Creative Nonfiction by Brenda Miller and Suzanne Paola
- Writing Fiction: The Practical Guide from New York’s Acclaimed Creative Writing School
- Writing Your Way: Creating A Writing Process that Works for You by Don Fry
- The Writer’s Portable Mentor: A Guide to Art, Craft, and the Writing Life by Priscilla Long.
November 26, 2012
by Dave Hood
How do you end a poem, short story, novel, personal essay—or any other type of creative writing? Writing a good ending is as important as writing a compelling opening…You should give as much thought to your ending as your opening.” This is the advice William Zinsser shares in “On Writing Well.
There are many ways to end a piece of creative writing, such as with a relevant quotation, with a recommendation, with a call to action, by referring back to the beginning. Often the genre you are writing and the idea you are writing about will dictate how to end.
The ending should provide a sense of closure to your writing. To write an ending, you should know when to end and how to end a piece of writing. Different genres, such as a short story, personal essay, or poetry, have different suggestions for writing an ending.
In this article, I’ll explain what an ending must accomplish and provide some general suggestions on how to end a narrative or poem.
What Must Your Ending Accomplish
In the “Handbook of Magazine Article Writing,” it is suggested that the ending of an article should do one of the following:
- Leave readers with the idea that they have learned something.
- Leave readers with the idea that they have gained some insight.
- Show reader how the information in the article impacts or relates to their lives
- Encourage readers to conduct research or additional investigation.
In “On Writing Well,” William Zinsser makes a few suggestions about ending a piece of creative nonfiction:
- “When you are ready to stop, stop. In other words, don’t write too much.”
- “The positive reason for ending well is that a good last sentence–or last paragraph, is a joy in itself. It gives the reader a lift, and it lingers when the article is over.”
- “What usually works best is a quotation.”
Zinsser also tells readers not to end by summarizing. For instance: “In summary…or “To conclude…”
Why? A summary is repeating yourself by compressing details that were already shared with the reader. Instead, you ought to make one final point that resonates in the mind of the reader.
When you end, you must have answered all questions posed in the story or article or personal essay. Otherwise, the reader is left wondering, and feels your writing is incomplete. As well, the essay or narrative should be brought to a close. In other words, the reader knows that the narrative is complete. For instance, if you are writing about a journey, the end might be when the character reaches his/her destination. If you are writing a meditative essay, you might leave the reader with some final point to ponder. If you are writing an opinion essay, you might end with a final point. Writer Elizabeth Anderson, in her essay “IF God is Dead, Is Everything Permitted?” (The Portable Atheist, selected and introduced by the late Christopher Hitchens), ends her essay with the following judgement: “The moralist argument, far from threatening atheism, is a critical wedge that should open morally sensitive theists to the evidence against the existence of God.”
A great ending, in my view, leaves the reader with something to ponder or meditate about after he puts down the piece of writing. Sometimes the writer shares an epiphany or a lesson learned or words of wisdom.
There are no rules on how to end a piece of creative writing, only suggestions. It is up to the writer to decide how to begin and how best to end a piece of writing. Your end should make some important final point. A good final point is like a knockout punch.
How to Write An Ending
There are several ways to end. It all depends on the genre. A personal-narrative essay usually ends when the story ends, often with some epiphany. In a poem, the last line often makes some emphatic final point, some idea the writer can take away and ponder. In a short story or novel, the ending can be closed or open. In a closed ending, the story ends, and nothing else happens. In an open ending, the reader is left to imagine what might happen in the future. Trilogies end with an open ending. A popular technique for ending a story is to use a “cliff hanger.” Sometimes the writer ends a short story or novel ends with dialogue from the protagonist. Some writer’s end articles or personal essays or meditative essays by referring back to the beginning. Other writers begin with a question, explore the question, then you can end with one final answer. Many writer’s end with a final quotation.
Check out most literary journalism essays in the New Yorker, and you’ll discover that most writers end their writing with a final quotation from someone they’ve interviewed. In the essay, “Slackers” (July 30th, 2012), writer, Malcolm Gladwell, ends with the following quote: “None of the doctors who treated me, and none of the experts I’ve consulted since the day I collapsed, have ever heard of anybody being gone for than long and coming back to full health,” he writes.” He was back on the track nine days later.” Clearly, there are many methods you can use to end a piece of creative writing. The decision is yours to make. It is a creative choice of the writer.
David Remnick, author of “We Are Alive”, ends with the following quote: Springsteen glanced at the step and stepped into the spotlight. “Hola, Barcelona!” he cried out to a sea of forty-five thousand people. “Hola, Catalunya!”
You often read true and fictional stories about a calamity or disaster. The writer opens the story by describing a setting of normalcy. And then, the bomb is dropped, or the hurricane destroys the quiet life of the living, or the earthquake obliterates a town. The writer describes the cause and effects, and the struggles to survive and cleanup. In this sort of narrative, writers often end by “returning to the state of normalcy.”
Some writers end with a telling anecdote, or by pointing to what will happen next in the story, or tell readers where to find additional information. Other writers end with an epilogue, which tells what happens to the characters later and how their stories continue.
Other ways to end a piece of creative writing include:
- With a judgement
- With recommendation
- With a prediction
- With an insight
- With a hope or wish
There are no rules for ending a piece of writing, only suggestions. And every form of writing–whether a personal essay, poem, short story, article—has its own suggestions for ending. The final decision about how to end a piece of writing is the writer’s. It is one of the creative decisions of writing. Often the writer relies on a “gut feeling” or “intuition” or “sixth sense.” The worst thing a writer can do is overwrite or write a double ending. The best way to end is to leave your reader satisfied while giving the reader a sense of closure. William Zinsser writes, “The perfect ending should take your readers slightly by surprise and seem exactly right.”
- On Writing Well by William Zinsser
- The Story Within: New Insights and Inspirations for Writers by Laura Oliver
- The Elements of Story: Field Notes on Nonfiction by Francis Flaherty
- Handbook of Magazine Article Writing, edited by Michelle Ruberg and Ben Yagoda
- The New Yorker, “Slackers: Alberto Salazar and the Art of Exhaustion” by Malcolm Gladwell (July 30, 2012)
Friday, November 16, 2012
Writing is a process, and yet many beginning writers ignore the process of writing, preferring to dive into the art and craft of writing without much preparation. And when they finish their first draft, they believe that it is the final version. I have done this–and it is a waste of time and results in chaos.
The best way to write is to follow the process of writing. Whether you write poetry, short stories, personal essays, articles, you first begin with an idea. Next, complete your research by gathering relevant material, information that allows you to understand your idea. (Different forms of writing require different types of research.)This might involve an interview, taking a trip to the library, doing research on the Internet, checking your writing journal, and so forth.
Next, organize your material and read through it. Your purpose is to understand the research you ‘ve collected. You’ll also answer two questions: 1) What are you going to write about? In other words, what is your topic. 2) What points do you want to make about your topic? You can use this approach to write a poem, short story, personal essay, article, and more. You can list them or create an outline or make a mental note.
After organizing your work, begin writing the first draft. The first draft is just a blue print, the scaffolding, the foundation for the finished piece of writing. The first draft is never your best work. It is an initial attempt.
Once you write the draft, set it aside for a day or more, then take a break from the work of writing. When you return, begin to revise your draft. You are revising to improve on your first attempt at writing something memorable and superb. All great writers write and revise their work many times—to make it the best they can.
In this article, I discuss how to write a first draft. The final decision on how to write a draft is yours. Some writers follow the process; other writers just begin–without much planning or organization or research.
Organizing Your Material
Let’s assume you have selected your idea to write about and completed your research. What’s next? Many writers start writing. But this results in unfocused writing, and so you’re wasting time. Unfocused writing at the draft stage can lead to mental confusion, which can stress you out.
A better way to write a first draft is to organize your material, determine what you want to say, and then write the draft. Organizing your material enables you to create a structure. How do you do this?
At the organization stage, do the following:
- Learn your research material by reviewing your notes
- Decide what you want to write about
- Decide what points you want to make
- Decide on a possible beginning and ending
The best way to organize your work is to have a map of how to proceed or to begin the journey of writing the draft. Essential your map is a plan for writing the draft.
Types of Writing Plans
I have learned that there are four types of plans to write the draft. In school, you are were taught to write a formal outline. It included various sections and points to make. Each section was identified with a roman numeral or number. Each roman numeral identified a first paragraph or section. Under each section heading, you identified the important points. I don’t know anyone who uses this formal outline. I never did. It is like wearing a straight jacket and trying to write. It stifles creativity and the discovery through writing.
Some writers begin with a list of important points to make, and then start writing. I’d call this a impromptu or scratch outline. It is informal. You can use this approach to compose a poem, short story, personal essay. I have used this approach many times. (It also works for writing letters, emails, poetry, personal essays.) The scratch outline allows you to put your thoughts on paper and allow you to remember important points to make.
Some writers use an organic approach to organizing material. The structure is unknown. It will be discovered by writing. You can use this method of organizing for writing a poem, short story, essay, novel. Essential, writers who use this approach rely on trial and error, because they don’t know how the story, the poem, the essay begins, develops, and ends until they start to write. Writing is an act of discovery. The details are revealed to the writer by writing.
Many writers, especially those who write poetry and fiction begin a story without knowing how it will begin or end. They write a section, and then another, and another. They might begin in the middle, with a character, conflict, setting, and so forth. Or, they freewrite or write to discover. Afterwards they cut and paste the various sections or parts together. Many writers use this organic approach. It is essentially writing to discover. I don’t believe there is anything wrong with this approach. However, it is time consuming.
Many writers prefer to create an informal plan. It provides a structure. It includes the following:
- Beginning-Introduces what you are writing about and why it is important
- Section–related points
- Section–related points
- Section-related points
- Ending-Give the reader a sense of closure.
If you are going to write an article, opinion essay, segmented essay, lyrical essay, I should consider using this approach.
Another approach is to create a narrative arc. If you are writing a personal-narrative essay or short story, you’d use the narrative arc as your plan. It includes:
- Inciting incident
- Rising action-Setbacks and obstacles
- Crisis–conflict intensifies
A simpler way is to identify the conflict, climax, and resolution.
If you are writing a personal essay or short story, I find that an informal plan or outline is a good way to create structure for your writing. It provides a map on how to begin the journey of writing the first draft. It is a way to evoke the creative muse–and find other material in your mind to write about. You won’t become lost or forget to write about an important point.
Required Tools for Writing the Draft
What do you require to write a draft? Ideally, you need a computer to type the draft. It should include word-processing software, such as MS Word. You’ll be able to add, delete, copy, cut and paste, do spell-check, and so forth. Having access to a computer also enables you to link to the Internet, where you can conduct research, send e-mail, post to a blog or online website.
You’ll also require a notebook and one or more pens. Use the notebook to make notes on your draft. Perhaps an idea pops into your head as you write the draft. Perhaps, while writing the draft you discover that you’ll need to do more research, and make note of it in your notebook.
You should also own a dictionary and thesaurus. Refer to your dictionary to check the spelling of words and look up their meaning. Use a thesaurus to find a word with the right shade of meaning. I suggest you also have a book of quotations. A quote can add depth and a new perspective to a piece of writing, especially when it is a quote from a sage, philosopher, great writer.
Once you have a notebook, pen, dictionary, thesaurus, and computer, you are ready to write the draft.
Writing the Draft
For years, I’d write a first draft by writing and revising as I wrote. I’d write a sentence, or a paragraph or a section, then reread what I wrote. Then I’d edit and revise before moving on. But I have learned that this approach slows down the writing process and blocks creative thinking.
A better approach is to write the entire draft without editing or revising. For instance, write the complete poem, short story, essay–without revising. Why? You are creating flow and tapping into your memories and inventing by using your imagination–writing what you hear in your head. As you write, refer to your plan. This plan guides your writing process. You might begin in the middle, at the end, or at the start. It doesn’t matter. The important point is to get the draft down on paper.
Here are a few things to consider as you write the draft:
Beginning the Draft. Your beginning should tell the reader what you are writing about and why your piece of writing is important to read. The beginning should also grab the reader’s attention, compelling them to read on. A few ways you can begin: with a quote, with a question, with a fascinating fact, with an anecdote, with a list, in the middle of the action.
Writing the content. Your content will depend on the form and genre you are writing. For instance, if you are writing an opinion essay, the middle should identify your argument, share important points. In a more formal literary journalistic essay, the middle might include several sections and points for each section.
If you are writing a collage essay or lyrical essay, you’ll create subsections with asterisks or roman numerals. For each section, you’ll might write a quote, anecdote, description, and so forth.
If you are writing a meditative essay, you’ll write about your main points, those that investigate your question you are pondering.
If you are writing an opinion essay, you’ll share your argument with the reader.
If you are writing a short story or personal essay, you’d tell the story by using a narrative arc. The middle will include conflict, setbacks and obstacles, climax, and falling action. You might end with an open ending, closed ending, lesson learned, epiphany.
Writing Creatively. When writing the first draft, you want to make an attempt at writing creatively. You’ll make a first attempt at:
- Showing and telling your reader
- Writing vivid descriptions
- Writing significant details or telling details
- Writing imagery that evoke the senses.
- Use literary devices of simile and metaphor
As well, write in scenes. You write in scenes when writing a poem, fiction, and creative nonfiction. A scene includes:
- Setting details
- Action. Something happens
- Vivid Descriptions
Writing the ending. You end by creating a sense of closure. Before ending, you make sure you’ve answered all questions raised in the writing. The best ending is memorable. The writer makes one final point that the reader can take away and ponder. For instance, many writers of creative nonfiction end with a final quote from someone they’ve interviewed.
Revising Your Draft
Once you have written the draft, what happens? You’ll put the piece of writing away for a night, a day, few days, or longer. Essentially, you’re take a break from writing. Taking a break enables you to see your work from a fresh perspective. It is like relaxing after a long day at work. Taking a break will refresh your creative spirit. When you return from your sojourn, you’ll begin revising your draft. The purpose is to make it better–to transform your draft into a splendid piece of writing.
Revision is about doing a macro-edit and micro-edit. A macro-edit involves revising “the big picture.” You’ll focus on setting, characterization, plot, theme, point of view, and so forth. You might add, delete, change the form and content of your work. If you are writing a personal essay, you might add a scene or details or imagery. If you are writing a short story, a macro-revision involves looking at setting, plot, character, POV, theme, and so forth.
Revision also involves a micro-editing or copyediting. It is a line-to-line edit, and involves checking grammar, spelling, and punctuation, active or passive voice, sentence variety, word choice. To learn more about editing, read “The Artful Edit: On the Practise of Editing Yourself by Susan Bell.
A good writer writes and revises. Read the biography of any great writing, and you’ll discover that they created a memorable poem, short story, personal essay by relying on writing as a process. Writing the first draft is part of the process. Good writers know that the initial draft is never their best work. It is just a blueprint. Ernest Hemingway revised the ending to “Farewell to Arms” 39 times. You’ll need to revise your work to make it the best you can. Drafting and revising creates order from chaos. It improves on a first attempt. It polishes your work until it shines.
To learn more about the writing process and drafting, read the following:
- Writing Your Way: Creating a Writing Process that Works for You by Don Fry
- Where Do You Get Your Ideas: A Writer’s Guide to Transforming Notions Into Narratives by Fred White
- The Artful Edit: On the Practise of Editing Yourself by Susan Bell
- Sin and Syntax: How to Craft Wickedly Effective Prose, edited by Constance Hale
- Imaginative Writing: The Elements of Craft by Janet Burroway
- Stein On Writing by Sol Stein
- The Poet’s Companion by Kim Addonizio
Perhaps, you’ve purchased a writing journal and some pens, and have decided to embrace the art and craft of creative writing. Or, you’ve decided to write a poem, short story, personal essay, but you don’t know what to write about. Perhaps, you want to write your life story, but don’t know what to write. There are countless ideas that you can dig up, dust off, and write about. You just have to know where to search.
And once you have an idea to write about, you require a few techniques on how to explore and expand the idea into a poem, short story, personal essay.
You’ll also require a few essential creative-writing techniques to transform the idea into a piece of imaginative or creative writing, something original and authentic, that others will be motivated to read and praise you for. If you are fortunate, you might even be able to publish your work.
In this article, I’ll explain how to find inspiring ideas to write about and how to write about them. The following will be covered:
- Techniques for finding inspiration
- Asking journalistic questions
- Using creative-thinking techniques
- Writing imaginatively or creatively
How to Dig Up Ideas to Write About
As a creative writing, there are countless ideas you can write about. No idea or topic is off limits. You can transform any idea into a poem, short story, personal essay, literary journalistic essay. However, before you can write the draft, you must first find some worthy idea that inspires you to write about. Here are 12 ways to find ideas to write about:
Dreams. A dream can be a source of inspiration. You must be able to recall the content of the dream. So, keep a notebook on your beside table. If you wake up, remembering a dream, write down as much as you recall. I have never written about a dream.
Memories. Many writers write about their memories of abuse, childhood, adversity, and so forth. In “Tell It Slant,” Brenda Miller write about the five senses of memory. What are the memories associated with sight, smell, taste, touch, hearing. When you recall a memory, ask yourself: Why do I remember it? What is the significance? Another way to look at memory is to ask yourself: What are my saddest and happiest childhood memories? There are many ways to explore memory. I have often written about memories of my childhood, illness, unemployment, people that have crossed my path, and more.
Imagination. Imaginative writing involves inventing a poem, short story, novel by using the imagination to invent. An easy way to invent is to ask the question,” What if?” What if you were robbed walking home? What if you were diagnosed with a serious disease? What if your son or daughter died?
Observations. Observing the world around you is an is a useful way to write about setting, people, places, objects, things. Make note of significant details, telling details. Make not of what you see, hear, feel. Make not of the sensory images—sights, sounds, taste, smell, touch, hearing. Afterwards, write about your observations.
Overheard Conversations, Snippets of dialogue, Inspiring quotations From Famous People. Some instructors suggest you can write about an overheard conversation. I guess this is possible. I have never used it as inspiration for writing. I prefer to use dialogue in relation to its context. For instance, I`ll write about what I heard at the bar, or in the mall, or at the funeral. The dialogue will only be important because of where I heard it. Another important aspect of dialogue is who said it. Was it someone unknown or someone famous or in the public eye? Often inspirational quotes by philosophers, writers, musicians, political leaders can be a great source of inspiration.
Reading. We write for pleasure, to be transported to another place, to escape the banality of daily life. As well, a writer reads to learn the art and craft of writing. You can find inspiration by reading published creative writing by recognized journalists, poets, fiction writers, essayists. By reading, you learn what others have written about and are writing about. This knowledge can provide you with your own ideas to write about. Read stories in newspapers, magazines, journals, periodicals, and then make note of any interesting ideas, concepts, inventions, stories you uncover.
Your dark side. Each of us has a hidden self and public persona. Some call it your shadow or “dark side.” The shadow remains asleep until we are stressed, or wronged, or humiliated, or embarrassed, or dishonoured, or face a life and death situation, or are threatened by an event or another person. The shadow is often something we don’t like about ourselves. Perhaps we get angry, or procrastinate, or abuse alcohol, or are racist, or prejudice, or intolerant, or like kinky sex. Perhaps we have cheated on a loving partner, or broken the law, or done something that is taboo. How do you write about these topics? You ignore the “inner voice” that tells you not to write about the topic, and then you write the words that you hear in your mind. You must give yourself permission to write about anything.
First experiences. Write about your first job, first kiss, first sex, first love, first car, first home, first experience with death or grief, and so forth. Write about anything that is a first.
Celebrations. Write about holidays, vacations, milestones, birthdays, anniversaries, happy occasions, anything that makes you happy.
Adversity. Write about setbacks, obstacles, challenges, such as illness, disease, obesity, handicap, unemployment, discrimination, abuse, failure. Write about any hurdle or obstacle you have faced and had to overcome.
Artist’s Date. Julia Cameron, in” The Artist’s Way,” suggests that you should schedule some artistic or creative date with yourself once or twice a month. Perhaps, you’ll visit the bookstore, see a movie, attend poetry reading, visit the art gallery, take a trip to see a theatre production. The purpose of the “artist’s date” is to refill your mind with inspiration to write about.
Ideas from your personal journal. Keep a personal journal. Include stories from newspapers, interesting quotations, inspiring lyrics, poetry, photos. Write in it each day. Write about what you’ve read, heard, observed. Write about fleeting moments that were important. Write about events, experiences, people that have passed through your life, touching you in some way. Write about small moments. We you require an idea, turn to your writing journal.
There are many other techniques you can use to write about, such as death, grief, anxiety, depression, addiction, mental illness. Writer Lois Daniel, the author of “How to Write Your own Life Story,” has written a book of ideas on how to write your life story. She explains how to write about inventions, courtship, turning points, animals, family traditions, achievements, accomplishments, and more.
Asking the Right Questions
After you have an idea to write about, you can explore the idea by asking questions. Journalists often ask these questions. These are:
- Where ?
The question “who?” refers to the person or group of people who the story is about. The question “what?” refers to what happened. The question how refers to “how it happened?” The question “when” refers to when it happened. And the question “why?” refers to why it happened.
You can use these journalistic questions to explore an idea or topic. Furthermore, by answering these questions, you can grow the seed of idea into something larger, like a story about the maple tree. You can also use these questions to organize your work. For instance, you could write a beginning, then have one section for each of who, what, when, where, why, how, and then an ending. Often by answering these questions, you have sufficient material to write a story
Using Creative Thinking Techniques
Once you have an idea to write about, you can explore the idea by using creative thinking techniques. There are many. I’ll identify some of the popular techniques. Most people use brainstorming–but not enough. Often when there’s a setback or problem or obstacle, many people react with emotion–without personal reflection, without first brainstorming ways to react or respond. How do you brainstorm? Simply by making a list of all possibilities. For instance, suppose you wanted to change jobs, but need to write a new resume. You desire to identify all of your skills. You’d brainstorm by creating a list of all of your skills, both minor and major skills you have. Then you’d select the ones that are most advantageous or beneficial. Once you have a few ideas, write about them.
Another technique is to ask why? Then why not? This is a good way to develop answers to a question or problem. It can be used to develop both positive and negative answers to an outcome. For instance, why did your marriage end? Why did you not graduate from university? Why did you graduate? Why did you criticize your friend? Why did you not criticize your friend? Once you have ideas, write about them.
You can change your perspective. See the experience, or event, or person from another point of view. Most of the time, we see the world from our own eyes. For instance, we walk down the street, pass a panhandler who asks for money. We think “He is lazy.” And so, we refuse to provide charity. What if this man was homeless and hungry and down on his luck? To feel some compassion, we’d have to see the world from his point of view. How? You’d have to walk in the shoes of the homeless guy, by imaging you were homeless, without food, and out of work. What is it like to be a beggar on the street? What is it like to be homeless? What is it like to be poverty stricken, to go hungry? Write from a different perspective.
Or, you can challenge assumptions. For instance, most people believe in God. What if God is just an illusion, a human construct? Write about your assumptions–and alternative possibilities.
Some writers begin freewriting. Start by posing a question to yourself, and then answering it. Write down whatever pops into your mind. Afterwards, read what you wrote. Did you find anything interesting? Inspirational? And idea to expand into a poem, essay, some project to accomplish.
Do some mind-mapping or clustering. It is like brainstorming but more controlled. It is a good way to explore possibilities or generate ideas. How to cluster? Begin with a white piece of paper and coloured pens or pencils. In the center of the paper, draw a circle. Inside the circle, write a word or phrase that represents the idea your desire to explore. For instance, suppose you wanted to take photographs, but didn’t know what to capture. You could use the word “photograph.” Then, think of those possibilities or things associated with the idea.
When you something comes to mind, draw a line from the circle, then create another smaller circle, and jot down the idea. If you had a new idea, you’d create another line and circle from the main idea. For instance, you could have lines and circles for travel, sports, landscape, fashion, close-up, portrait. If you had a related idea to your first answer, you draw a line from the second circle, and write down another idea. For instance, suppose you wanted to capture still life, you could write a line and circle for each of beer and glass, journal, books, food to the circle with “close-ups.”
An easy way to think creatively is to ask “what if.” It is a great technique for fueling the imagination. For instance, what if a meteor crashed into the earth? What if you died? What if you won the lottery? What if you were fired from your job? What if you become rich and famous?
Another way to be more creative is to look for ambiguity in the world. Yet, most people don’t like ambiguous situations. They cause communication problems and are confusing. And so, most people have learned to “avoid ambiguity.” However, there are times when ambiguity can light the flame of imagination. Next time, you are immersed in a confusing situation, instead of just reacting, ask yourself: What is going on here? What else could this mean? How else can this be interpreted? For instance, suppose your friend splits up with her husband–and you’d don’t know why. You’re immediate reaction might be to blame the husband who always flirts. This is when you could ask “What else is going on here?” Perhaps the wife has found a new lover. Perhaps she believes that she can meet someone who is more interesting or romantic. When you discover something ambiguous, explore it and write about it.
We are socialized to think in terms of “right” and “wrong” answers. This can limit possibilities or options. Clearly, there are times when right and wrong answers are your only option, such as following the speed limit or answering a multiple-choice exam. However, during the creative process, “to error is not wrong.” Instead, if you make a mistake or error, use it as a stepping stone to another idea you might not have discovered. For instance, suppose you take a photograph, and the light turns out to be incorrect, you could shift the angle of light, or add additional lights, or take the photograph in a different place. What’s the point here?
The mistake or error is an opportunity for you to attempt something else, to think of something else. Another approach to errors or mistakes: Suppose you want to do something new. First, you consider all the positive outcomes, the rewards, the benefits. But this is limiting. You should also consider how you’d respond if something bad happened, if a setback occurred, if there was some obstacle. By thinking in this way–you expand the ideas, the possibilities, the solutions. Write about the outcome of an err or mistake, and the alternative path or journey you took.
Writing Imaginatively or Creatively
What does it involve? You will use the techniques of creative writing to write a poem, personal essay, short story. You might also use them in other types of writing, such as journal writing, letter writing, commentaries, emails.
The purpose of writing creatively is to create word pictures in the mind of the reader–by showing the reader a person, place, event, experience.
Once you have selected an idea, you should use the essential techniques of creative writing to craft your piece of writing. You can use these techniques to write in your journal, a poem, a short story, a novel, a personal essay—or any other writing.
Here are a few important techniques of creative writing that you can use for any writing:
Show your reader the person, the event, the experience, the place, the thing. You can show you reader with vivid descriptions, with concrete and significant details, and with imagery–language that evokes the senses.
Scenes and Summary. When you use a scene, “you are showing the reader what happened. Write in scenes for all important events. A scene include setting details, action (something happens), dialogue (conversation between characters in the story), imagery, concrete and significant details.
When you write in summary, you are telling the reader what happened. Use summary to write about unimportant events or to compress time.
Use concrete, particular, and significant details. Whether you write prose or poetry, you must add meaningful details. Otherwise, your writing will be ordinary, non-descriptive. Concrete details are not abstract. They refer to specific things. Particular details refer to some attribute or attributes of the thing. Significant details means that you want to share only those “important details,” the details which enable the reader to imagine what you are seeing and describing. Writing concrete and significant details allows you to evoke emotion, stir the spirit, touch the soul of the reader. When you add detail, you are showing the reader what happened, what the person looks like, what you are seeing, feeling, tasting, and so forth. When you recall a memory or observe an object, person, place or thing, you don’t need to share all details with the reader, only those that enable the reader to visualize the person, thing, place, you are writing about.
Imagery. This is about writing in words that invoke the sense in the reader. You can write about what you see, hear, smell, taste, touch. Example: Coming to the ledge, I could see an old pair of shoes. I knocked on the door, faded from neglect. An old woman, with disheveled, grey hair and no teeth, opened it. When she talked, I could smell the stench of decaying teeth.
Figurative language. These include personification, symbolism, allusion, and so forth. Two of the most important are simile and metaphor. A simile compares one thing to another by using “like” or “as.” Example: Her home is like a garbage dump. A metaphor suggests that one thing is another. Example: Her home is a garbage dump.
Personal Reflection or Self-Reflection
It involves the discovery of self and acquiring self-knowledge. You find out how you felt about something. What do you value. What is important in your life? What is the meaning? What is the purpose? What makes you happy? Why is the memory important to you? Why do you want to write about it? How does something feel to you? How did you reacted? With fear? Anger? Did you like it? Why? Did you dislike it? Why?
Personal reflection involves self-discovery, self-knowledge, and then sharing your thoughts, feelings, opinions, views, perspective. You can ponder an idea, event, experience, topic, issue, and then write about it. What does it mean to you?
Personal reflection is about exploring the emotional truth. In other words, how does it feel to you.
For more information on finding ideas to write about and how to write about them from a creative writing perspective, read the following:
- Imaginative Writing: The Elements of Craft by Janet Burroway
- You Can’t Make this Stuff Up: The Complete Guide To Writing Creative Nonfiction from Memoir to Literary Journalism and Everything In Between by Lee Gutkind
- How to Write Your Own Life Story by Louis Daniel
- Tell It Slant: Creating, Refining, and Publishing Creative Nonfiction by Brenda Miller and Suzanne Paola.